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The installation artwork The Sleeping Beauties (1990) by performance pioneer Lydia Schouten (1948) from the collection Museum Arnhem was researched and conservation treated in collaboration with the University of Amsterdam. It is a seemingly dreamlike installation featuring sleeping women in luminous beds, who turn out to be victims of the Boston Strangler. The heads are all casts of the artist herself and differ in hairstyle and make-up. Behind them hang screen-printed paintings of contact adverts that attracted the killer. The materials used in the installation are fragile and prone to degradation, and one of the heads was missing.
Photo by Eva Broekema

In addition to a technical analysis of the materials used by the Cultural Heritage Agency of the Netherlands, two interviews were important research components for deciding on the conservation strategy. One interview was a so-called “stakeholder” interview during a visit to the artwork in storage with experts: the artist, curators from both the Bonnefantenmuseum and Museum Arnhem, the team leader of collection management and external conservators of modern and contemporary art Marieke Kruithof, UvA alumna, and Sanneke Stigter from the Capacity Group for Conservation and Restoration of Cultural Heritage.

This exploration formed the basis for the research plan and was supplemented with an artist interview to delve deeper into the intention of the work in relation to its installation and the creative process. The latter was important for the reconstruction of the missing head, which would also provide knowledge for any future measures related to the vulnerability of the used plastics for the heads, polyurethane and latex.

The research and conservation were carried out with generous support of the Vereniging Rembrandt and Helze Fonds.

For more information about the exhibition, click on this link.