Reis and Wuschitz investigate on alternative hardware from locally sourced materials, from a feminist perspective, to develop and speculate upon renewable practices. They call it Feminist Hardware! Through these lenses, they researched on fair-traded, ethical, biodegradable hardware for environmental justice, building circuits that use ancient community-centred crafts encouraging de-colonial thinking, market forces to be disobeyed, and future technologies to be imagined.

About the speakers

Patrícia J. Reis (b. 1981, Lisbon, PT) is a Vienna-based media artist and researcher whose practice explores human and more-than-human entanglements with technology through feminist hacking, sensory interaction, and embodied interfaces.

Her installations investigate touch, consent, and care, often inviting intimate, activeparticipation. Reis studied Painting (ESAD, 2004), Media Art (MA, Lusófona University, 2011), and completed a Ph.D. in Art at the University of Évora (2016). She was a fellow of the FCT of Portugal (2011–15) and Assistant Professor at the Polytechnic Institute of Beja (2006–12). From 2020–23 she was postdoctoral researcher at the Academy of Fine Arts Vienna within the project Feminist hacking: building circuits as an artistic practice, and guest researcher at the Weizenbaum Institute, TU Berlin. Since 2015, she has lectured at the Digital Arts Department, University of Applied Arts Vienna, where she currently leads the FWF Elise Richter PEEK project Hacking the body as the black box.

Since 2012, she has been a board member of Mz Baltazar’s Lab*, Vienna’s feminist artist-run space. Reis has exhibited widely, received the Outstanding Artist Award in Media Art (AT, 2021), and participated in international programs and residencies, including IMPACT ART San Francisco, Banff Centre (CA), HWK Delmenhorst, and Edith-Russ-Haus (DE).

Find out more about Patricia: www.patriciajreis.com | instagram.com/patricia_j_reis/ | hackingthebody.org

Stefanie Wuschitz (b. 1981, Vienna, Austria) is a data-research artist based in Vienna. Her scholarship generates data that shapes her artistic output. She investigates the entanglement of gender, technology and power. Within the young, Eurocentric field of data studies, her current projects focus on a blind spot of South East Asia: Indonesia’s position within fast shifting techno empires. Her degrowth inspired artistic method entails upcyling, salvaging sustainable, locally sourced materials to create ecofeminist interactive art installations. Her drawings and animations explore new forms of storytelling, knowledge transfer and documentary.

She graduated in the MFA program Transmedia Arts in 2006 (Brigitte Kowanz) and completed her Master’s at NYU 2008 at Tisch School of the Arts in NYC. In 2009 she founded the hacklab and collective Mz* Baltazar’s Laboratory. She completed her Doctorate on Feminist Hackerspaces at TU Vienna in 2014. Since then she has held post-doctoral positions at the Academy of Fine Arts in Vienna, TU Vienna, Universität der Künste Berlin, and TU Berlin. She conducted several arts-based research projects as PI (titled Feminist Hacking, Salon of Open Secrets, Coded Feminisms in Indonesia). Her artwork was featured in solo exhibitions, film festivals and international venues.

Find out more about Stefanie: stefaniewuschitz.at |instagram.com/stefanie_wuschitz